P Buckley Moss Black and White Inspiration

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Black and White.  There’s not much in life that’s strictly black or white. However, when talking about art, it really can be black and white and the proportions can be anything the artist wants them to be. The great thing about black and white art is the variety of light and darker shades that are created. No two pieces are alike and the interest and dimension of each work of art make the room feel completely different.

I remember, by chance, seeing one of Pat Moss’s black and white sketches while visiting her home many years ago. I was so taken by the strength and beauty of the art piece that it took my breath away. The lines and shading, simple as they were, made up a beautiful drawing that I have never forgotten. In fact, it is one of my personal favorites.

At that time, I had only known Pat’s works to be colorful and bold and here hung a sketch of a single cat whose expression and body language contained such a distinct attitude.  I stood gazing at the piece and drifted for a moment into a memory of a family cat many years before. I am always amazed at how an artist can portray such emotions in their subjects, and this one having just simple lines in black and white.  It’s a magical moment so let’s figure out how to display such works in your home too!

How do you decide how to pull together a mixture of subjects and styles when creating a gallery wall?

 

This black and white wall is an interesting mix of etchings combined with Giclee prints and a powerful silkscreen.  I love that all the subjects are different and yet share the black and white theme of its warm corner space.  It is a great opportunity to share with guests over a meal the wide array of art subjects and processes that can be hung on a wall and then appreciated like a gourmet meal!

 

 

The making of an etching is a hands-on process involving the work of an artist and an etching assistant who performs the printing mechanics. There is a craftsmanship that is remarkable and must be looked at up close to fully appreciate. Etching Collection plus for more details on the etching process click here

A Giclee print is an art image produced with the aid of a printer, guided by a digital file and the depositing of millions of tiny dots of ink on watercolor paper. This printing process results in a piece of art with a more brilliant array of colors than would normally be possible.  The Giclee process also produces images that are more stable, more durable, and less affected by light. Even in black and white these Giclee images appear to explode off the paper!

Screen printing is a printing technique whereby a mesh is used to transfer ink onto a substrate ( a layer underneath), except in areas made impermeable to the ink by a blocking stencil. A blade or squeegee is moved across the screen to fill the open mesh apertures with ink, and a reverse stroke then causes the screen to touch the substrate (layer) momentarily along a line of contact. This causes the ink to wet the underlying layer and then to be pulled out of the mesh apertures as the screen springs back after the blade has passed. It sounds technical for sure, but I am sure we all have memories of doing such screen printings on T-shirts as kids.

By combining all three of these processes – Etching, Giclee, and Screen Print– our gallery wall is now filled with texture that makes the observer want to get up and come closer to art.  This is the goal of any gallery wall you create in your home.  Allowing the beauty to embrace the observer in a moment or two of an experience like no other.

Hanging Art: Did you notice the unique hanging technique going on here? Imagining another way to incorporate art that you love in new visual display format.  Who says it all has to be even and eye level? Experiment! Think about introducing a matted image, clutched by a padded skirt hanger and hanging in the midst of your gallery wall. Make your guests get up and really look…”is that a..a.. hanger?”   Take a closer look at our kitchen corner wall!

Yes! Mix unique hanging applications with conventional framed art and see how you like it! It could be really fun and I know for sure it will make your beloved pieces of art more endearing. Let’s break the rules!  

And here is something else to consider: adding your own family photos with your favorite collectible art pieces will make your gallery wall even more enticing and fresh. People buy art that reminds them of family experiences and memories so why not pair them together?  The story unfolds for all to see and enjoy.  Make your home memorable and fun!

Pieces Shared above:

Precious Prayer Etching

Plate Size: 7-13/16 x 3-13/16 ins. Paper Size: 13-7/16 x 10-7/16 ins.

http://canadagoosegallery.com/product/precious-prayer/

 

Loving Touch Etching

Plate Size: 5-5/8 x 5-7/8 ins. Paper Size: 11 x 11-1/2 ins.

http://canadagoosegallery.com/product/loving-touch/

 

Flowers II Etching

Plate Size: 4-7/8 x 4 ins. Paper Size: 11 x 10 ins.

http://canadagoosegallery.com/product/flowers-ii/

 

Sniffing Etching

Plate Size: 5-3/4 x 5-3/4 ins. Paper Size: 11 x 11-3/4 ins.

http://canadagoosegallery.com/product/sniffing-etching/

 

The Olive Tree

Image Size: 3-7/8 x 4-13/16 ins. Paper Size: 9-3/4 x 11 ins.

http://canadagoosegallery.com/product/olive-tree/

 

The Lamb Etching

Plate Size: 5-3/4 x 5-7/8 ins. Paper Size: 12-15/16 x 11 ins.

http://canadagoosegallery.com/product/the-lamb-etching/

 

The Egret

Image Size: 9-3/8 x 6-1/8 ins. Paper Size: 11 x 8-1/2 ins.

http://canadagoosegallery.com/product/the-egret/

 

Horses Four

Image Size: 14-1/16 x 11-1/2 ins. Paper Size: 20 x 15 ins.

http://canadagoosegallery.com/product/horses-four-2/

 

Twins Etching

Plate Size: 14-3/4 x 11-13/16 ins. Paper Size: 22-1/8 x 17-3/8 ins

http://canadagoosegallery.com/product/twins-etching/

 

Earthly Spirit Giclee

Image Size:11 x 8 ins.

http://canadagoosegallery.com/product/earthly-spirit/

 

The Silver Sentinel Giclee

IS: 6-3/4 x 4-3/4 ins.

http://canadagoosegallery.com/product/silver-sentinel/

 

The Priest Etching

Plate Size: 13-15/16 x 9-1/8 ins. Paper Size: 21-1/2 x 15-11/16 ins.

http://canadagoosegallery.com/product/priest/

 

Adding three-dimensional art:

 

 

Adding three-dimensional art to your home décor brings interest and flavor to any room. Reading to my Girls figurine focuses on the values of family and the importance of reading, togetherness and sharing time with children.

 

 

 

Wearable Black and White art!  

 

 

 

Just had to add this into the mix!

Tie your casual dinner party together with this hostess touch; Solmate Socks!

13 REASONS WHY ART IN YOUR HOME IS AS IMPORTANT AS A BED

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Having original and limited edition art in the home is vital to your well-being. Art is a key piece of furniture for many reasons and yet it is sometimes put on the back burner in comparison to other home décor items. This list is dedicated to the understanding of importance of art from perspectives of interior design, well-being, social atmosphere, creating a mood in the home, and more. One quote that stands out about the importance of original art is the following,

“You would never put fake books on your bookshelf, so why would you put fake art on your walls?”

For all of the following reasons, you can find the perfect work for your home or office on our online here.

1. Art Creates Mood

Brain scans have revealed that looking at works of art trigger a surge of dopamine into the same area of the brain that registers desire, pleasure, and romantic love (https://www.psychologytoday.com/blog/what-the-wild-things-are/201109/love-desire-and-art). Romantic, sublime landscapes provoke contemplation of nature and purity. Such works then create a mood of peace and are good for relaxation rooms such as the bedroom.

2. Art Adds Personal Character to the Home

We all love to express ourselves, be it through clothing, accessories, social media – the list goes on! Art in the home is a perfect way to express your artistic and aesthetic interests in a way different from most, since original and limited edition artwork is unique and handcrafted.

3. Art Makes Memories

Buying real art is an experience. For whatever reason, you were drawn to a specific piece (or multiple). You may have seen it at a show opening, had a nice trip to the ice cream shop beforehand. Whatever happened leading up to/during/after the purchase of a meaningful original work will be remembered every time you see it. This will not happen with a poster from Ikea.

4. Art Provides a Color Palette

When rooms have a lot of colors, or many shades of the same color, it can be hard to figure out how to tie everything together. A work of art is a beautiful, meaningful way to tie everything together and create a general focal point.

 5. Art Makes a Room Feel Finished

When walls are empty, a room does not necessarily look bad, but by no means does it look finished. Rooms with empty walls are functional rooms in a house. Rooms with art work are the most comfortable rooms in a home.

6. Art Inspires and Fosters Creativity

This one is simple – in rooms with no art, artistic expression is lacking and therefore the need and want for creativity is not very prominent. On the opposite end of the spectrum, handcrafted art fosters creativity, expression, artistic inspiration. This is particularly important in homes with children as being surrounded by artwork will allow creative thinking. This idea is expanded on in reason 11.

7. Art Is a Conversation Starter

As mentioned in reason 2, hanging art in your home is a way of expressing oneself. That being said, guests will always be curious about the choice of artwork, the story, have questions about the artist, etc. It is a way to show off your art collection while having passionate conversations with house guests no matter what room in the house you happen to be in!

8. Buying Art Supports Art Education

One of the most important things about buying original and limited edition artwork is that you are supporting art education in a world that has forgotten how important it is to our lives. Each time you have a look at a work in your home, it provides a feel-good emotion that filters in all areas of your life. Supporting art and art education is just another wonderful way of expressing our values.

9. Original and Limited Edition Art is an Investment

Building off of reason 8, not only does owning valuable artwork in the home allow you to support arts education, but when purchasing original or limited edition art from a known artist there is an investment value. These artworks can be passed down through family and friends, be shared with loved ones for many years all while increasing in worth. This is never something that will be achieved with a mass produced “Made in Taiwan” piece bought from the furniture store.

10. Art Creates a Livable Environment

Art can make rooms that are not necessarily “home-y” to become comfortable working and living environments. A kitchen, for example, can transform from a place of hurried preparation to one of relaxation and productivity all the with addition of a valuable art piece. Attached is an article explaining how artwork in office spaces improves employee productivity (http://www.forbes.com/sites/drewhendricks/2015/01/12/can-office-artwork-influence-employee- productivity/#243c119d2c44).

11. Art Keeps the Brain Active

Art is very conceptual, artists use it as a medium to express personal thought, political or social issues, and to make us as viewers think. Some people do quizzes or crossword puzzles to keep their brain active, but another way to do so is to own original artwork in the home, to just sit, look, and think. For more benefits of art read this.

12. Art is Relaxing

In a busy, fast-paced world that demands speed and productivity, home should be a place of relaxation. Coming home from a busy day at work to sit on your couch and stare at a TV or a blank wall is not as recharging or relaxing as enjoying an artwork purchased with the means to create a positive mood. Not to mention how we feel when caring for little children. Art offers a way for them to see the world and for us to be inspired.

13. Curating Your Own Art Gallery is Fun!

Last but certainly not least, curating a gallery is fun! Attending show openings, going to galleries, chatting with artists’ even, it is a fun experience! After a while you will start to notice a theme, in subject matter, color, concept, etc. Playing with moods, composition, placement in the home, of all these reasons why to have art in the home, let’s not forget the fact that it is simply something fun to do. So go ahead, fill your life (and home with art!)

Check out Canada Goose Gallery’s extensive collection of American artist, P. Buckley Moss’s artwork for sale on our website here.

Original List Written by Kayla Miller. Edited and reformatted in 2017 by Maria Bereket

 

 

Giclee Print Making: Production of an Edition

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Offset lithograph printmaking requires a commitment to printing the entire edition at one time. The printing center takes possession of an edition, stores the edition until the last prints are sold and are constantly tracking what remains of any edition in their inventory. Imagine the storage issue with such an active publisher! With the digital printers of today, when you have your own printer, you can print each print as needed while always keeping count of where the edition stands and how many prints will be needed to print the entire edition.

A plus to the new Giclee printing technique is that if Pat has a desire to see her image on a larger scale, any image could be sized to print larger and the larger prints would be counted as the next number to be printed.  Perhaps a collector finds an image they love but needs that image larger to hang in an intended space. While the price will reflect the costs or a larger print, the process of printing a different size of an image is not possible. We have made progress with the digital age in a reproduction of art allowing a greater audience to enjoy unique works of art and feel confident that their investment will grow over time.

 

 

 

What Is A P Buckley Moss Artist Proof?

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    An Artist’s Proof is just that: an image made for the artist by the printer.  AP’s, Artist Proofs, are usually produced in smaller numbers than the general edition, are marked as AP’s, and may be signed and numbered as well. Because the number of Artist Proofs is smaller and because the APs are “closer to the artist’s hand,” signed APs tend to be more valuable than the prints of a signed and numbered limited edition.

In the early days of printmaking, printer’s plates would wear down over time. Because of this, the first prints off the printing press were the highest quality and were designated “artist’s proofs”. The artist’s proofs were considered to be the best prints within the edition and often the artist kept them.

 

 

Technology has changed quite a bit since the early days of printmaking. Today, all prints within a run of offset lithographic prints or Giclee prints will be identical in quality. However, the tradition of having a special edition within the edition has stuck around. Today the value of owning an artist’s proof does not relate to quality, it relates to the importance of owning a rare portion of an edition. Most offset lithographic editions and Giclee editions include less than 20 percent artist’s proofs. Because the art world loves rarity and since there are fewer artist’s proofs than regular prints, they are preferred by many collectors.

 

A bit of history with Moss Artist: In the early years, (1974-1984) of publishing Moss works, the artist proofs were an essential part of planning each edition. The proofs were noted with an AP on each of the proofs but were not numbered. The reasoning could have been an issue with the process, although to look at each proof in my collection, you can’t really see significant differences in the prints. During those years, the proofs were actually used to determine how the edition was printed and the artist would approve or disapprove until the printing was an expression of what she intended the print to be.

 

The process of printing has become so automated and precise that colors may be tested and approved but the artist proofs offered for sale look exactly like the edition and we the entire edition of proofs is held by the artist in her private collection until she agrees they may be sold. Think of the proofs of today as being a tiny edition of twenty-five, signed and numbered prints, within any given edition, considered the cream of the edition and available for sale at the artist’s discretion. P Buckley Moss artist proofs are typically two and one-half to three times the value of any print from the matching edition. The line of value progression would be Original work, Artist Proof, Print. The perfect collection would be a collection containing an array of all of the categories in which the artist has published. Some collectors are only interested in original works while other art collectors seek a mix of all mediums.

 

 

 

How Do I Choose A P Buckley Moss Print?

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The question of how to choose a print typically does not come up in regards to the work of P Buckley Moss. In our gallery inventory, we house over 2100 different pieces of Moss art, which encompasses every category of her work. Individual collectors are simply drawn to the subject matter that “grabs” them—and this should be your guide as well. Usually, the feeling evoked from Moss works is so strong, one knows after a short time of browsing our gallery what they are drawn to. Some people love the signature geese and others find the cat images attract them the most. Other potential collectors love her signature trees; a dance in calligraphy to behold. Still others love the simplicity of the rural scenes with familiar barns and landscapes. The choice is yours. Possibilities are endless when putting together a grouping or choosing a stand along piece for any room or any space.

During the selection process, pick something you like first and foremost. Don’t worry about how well it will rank on the secondary market after the edition is sold out, if it is selling out quickly or if it is viewed and loved the same by others as it is by you. If you have a connection to the art piece, if it “speaks” to you and you can picture it in your home then that is the print you should choose. If the art gives you peace and you know you will enjoy it every day, then choose that print to add to your collection. Have your art professionally framed to protect your investment.

As with all art purchases, you should speak with the professionals at the gallery with questions you might have concerning the images you choose. Ask questions about the paper, the numbering and by all means, let us talk with you about framing techniques recommended for the preservation of your art piece. Please don’t pay a good price for a piece of collectible art then go unarmed to a “frame shop” and trust their process of framing without knowing the right questions to ask. A good gallery wants to build relationships with their clients for the long term. Their passion for the art will match the enthusiasm you feel toward your new art choice. Your expectations of the experience must be fulfilled as you are guided through the process of choosing art for your home.

What Do The Numbers On A Limited Edition Print Mean?

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There usually is no standard amount in an edition. As few as 1 or 3, or as many as 1000 or more. Reflect on how the volume will affect the value of your chosen art piece and consider that the smaller the edition, the higher price will be asked (and also sold should you decide to sell your own piece at some point.). In the art world, it is assumed the lower the number of prints in an edition, the more valuable and collectible the editions are likely to be. The number game is rather jaw-dropping if you should be lucky enough to find a very low numbered print, but in reality, the image is what the collector admires and the number, be it a very low number, is just that; a very low number. I have not witnessed a higher price asked for one number in an edition over another number.

   In the early days of printing, prints could vary a bit from one print to the next but even when most of the P Buckley Moss print editions were printed as offset lithographs, or photographic reproductions of the original watercolor, the images didn’t vary and each print of the edition looked the same. Now, in the digital age, all but the oversized images by Moss are printed as giclee editions; a process of reproduction of the original watercolor using software and state of the art printers that produce more vivid colors, which make for amazingly detailed and vibrant prints.

A limited edition is normally hand signed and numbered by the artist e.g. 50/100 while the artist proofs are numbered AP 1/25, 2/25 etc. Pat Moss used to spend countless hours signing each print of every edition until the action caused problems with her wrist and her medical team asked her to make a decision; “Do you want to sign print editions or do you want to paint?” It was then that the decision was made in the mid-1990’s to secure a matrix of Pat’s signature by which all her print editions have been signed going forward. At this writing, Pat still has gallery shows where she will spend hours talking with collectors and signing her work by hand either on the print paper or on the glass of framed pieces. Her signature is an art all its own.

What Is P Buckley Moss Limited Edition Art?

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What Every New Art Collector Needs To Know

Giclee Print Making: Production Of An Edition

Limited edition prints have been standard in printmaking since the nineteenth century. Today, limited editions can be found in a series of as many as 2 or 1000. Limited Editions should be distinguished from the original; they should be carefully produced directly from the original work and printed under the artist’s supervision. Depending on the issue and the dealer, often Limited Edition prints will include a Certificate of Authenticity, either signed by the artist or the dealer.

  For the purpose of this post, we’ll be speaking with reference to signed and numbered, limited edition prints published by American artist, P Buckley Moss. Given today’s publication, smaller editions of her work are more common. Where once Moss edition sizes were almost always set at one thousand prints with twenty-five signed and numbered artist proofs, most limited editions printed today by Moss are more in the range of two hundred and fifty signed and numbered prints with twenty-five signed and numbered artist proofs. Some editions will print as high as five hundred signed and numbered prints and 25 signed and numbered proofs per edition but this is not the norm.

 

WHAT DO THE NUMBERS MEAN?

There usually is no standard amount in an edition. As few as 1 or 3, or as many as 1000 or more. Reflect on how the volume will affect the value of your chosen art piece and consider that the smaller the edition, the higher price will be asked (and also sold should you decide to sell your own piece at some point.). In the art world, it is assumed the lower the number of prints in an edition, the more valuable and collectible the editions are likely to be. The number game is rather jaw-dropping if you should be lucky enough to find a very low numbered print, but in reality, the image is what the collector admires and the number, be it a very low number, is just that; a very low number. I have not witnessed a higher price asked for one number in an edition over another number.

   In the early days of printing, prints could vary a bit from one print to the next but even when most of the P Buckley Moss print editions were printed as offset lithographs, or photographic reproductions of the original watercolor, the images didn’t vary and each print of the edition looked the same. Now, in the digital age, all but the oversized images by Moss are printed as giclee editions; a process of reproduction of the original watercolor using software and state of the art printers that produce more vivid colors, which make for amazingly detailed and vibrant prints.

A limited edition is normally hand signed and numbered by the artist e.g. 50/100 while the artist proofs are numbered AP 1/25, 2/25 etc. Pat Moss used to spend countless hours signing each print of every edition until the action caused problems with her wrist and her medical team asked her to make a decision; “Do you want to sign print editions or do you want to paint?” It was then that the decision was made in the mid-1990’s to secure a matrix of Pat’s signature by which all her print editions have been signed going forward. At this writing, Pat still has gallery shows where she will spend hours talking with collectors and signing her work by hand either on the print paper or on the glass of framed pieces. Her signature is an art all its own.

HOW TO DO I CHOOSE A PRINT?

The question of how to choose a print typically does not come up in regards to the work of P Buckley Moss. In our gallery inventory, we house over 2100 different pieces of Moss art, which encompasses every category of her work. Individual collectors are simply drawn to the subject matter that “grabs” them—and this should be your guide as well. Usually, the feeling evoked from Moss works is so strong, one knows after a short time of browsing our gallery what they are drawn to. Some people love the signature geese and others find the cat images attract them the most. Other potential collectors love her signature trees; a dance in calligraphy to behold. Still others love the simplicity of the rural scenes with familiar barns and landscapes. The choice is yours. Possibilities are endless when putting together a grouping or choosing a stand along piece for any room or any space.

 

During the selection process, pick something you like first and foremost. Don’t worry about how well it will rank on the secondary market after the edition is sold out, if it is selling out quickly or if it is viewed and loved the same by others as it is by you. If you have a connection to the art piece, if it “speaks” to you and you can picture it in your home then that is the print you should choose. If the art gives you peace and you know you will enjoy it every day, then choose that print to add to your collection. Have your art professionally framed to protect your investment.

As with all art purchases, you should speak with the professionals as the gallery about questions you might have concerning the images you choose. Ask questions about the paper, the numbering and by all means, let us talk with you about framing techniques recommended for the preservation of your art piece. Please don’t pay a good price for a piece of collectible art then go unarmed to a “frame shop” and trust their process of framing without knowing the right questions to ask. A good gallery wants to build relationships with their clients for the long term. Their passion for the art will match the enthusiasm you feel toward your new art choice. Your expectations of the experience must be fulfilled as you are guided through the process of choosing art for your home.

Don’t let price determine your choice of a print. Price is normally determined by the size and complexity of the image. We all know that it is the artist behind the brush who makes the art and her talent for putting to paper the way she sees the world is what draws us to love the art. In addition, if the price is a determining factor, ask if there is a lay-a-way plan, which will make the process of purchasing an easier way to have exactly the art you have in mind.

WHAT IS AN ARTIST’S PROOF?

An Artist’s Proof is just that: an image made for the artist by the printer. APs are usually produced in smaller numbers than the general edition, are marked as APs, and may be signed and numbered as well. Because the number of Artist Proofs is smaller and because the APs are “closer to the artist’s hand,” signed APs tend to be more valuable than the prints of a signed and numbered limited edition.

In the early days of printmaking, printer’s plates would wear down over time. Because of this, the first prints off the printing press were the highest quality and were designated “artist’s proofs”. The artist’s proofs were considered to be the best prints within the edition and often the artist kept them.

Technology has changed quite a bit since the early days of printmaking. Today, all prints within a run of offset lithographic prints or Giclee prints will be identical in quality. However, the tradition of having a special edition within the edition has stuck around. Today the value of owning an artist’s proof does not relate to quality, it relates to the importance of owning a rare portion of an edition. Most offset lithographic editions and Giclee editions include less than 20 percent artist’s proofs. Because the art world loves rarity and since there are fewer artist’s proofs than regular prints, they are preferred by many collectors.

 

   A bit of history with Moss Artist: In the early years (1974-1984) of publishing Moss works, the artist proofs were an essential part of planning each edition. The proofs were noted with an AP on each of the proofs but were not numbered. The reasoning could have been an issue with the process, although to look at each proof in my collection, you can’t really see significant differences in the prints. During those years, the proofs were actually used to determine how the edition was printed and the artist would approve or disapprove until the printing was an expression of what she intended the print to be.

 

The process of printing has become so automated and precise that colors may be tested and approved but the artist proofs offered for sale look exactly like the edition and the entire edition of proofs is held by the artist in her private collection until she agrees they may be sold. Think of the proofs of today as being a tiny edition of twenty-five, signed and numbered prints, within any given edition, considered the cream of the edition and available for sale at the artist’s discretion. P Buckley Moss artist proofs are typically two and one-half to three times the value of any print from the matching edition. The line of value progression would be Original work, Artist Proof, Print. The perfect collection would be a collection containing an array of all of the categories in which the artist has published. Some collectors are only interested in original works while other art collectors seek a mix of all mediums.

PRODUCTION OF AN EDITION

Offset lithograph printmaking requires a commitment to printing the entire edition at one time. The publisher takes possession of the edition, stores the edition until the last prints are sold and they are constantly tracking what remains of any edition in their inventory. Imagine the storage issue with such an active publisher! With the digital printers of today, when the publisher has their your own printer, they can print each print as needed while always keeping count of where the edition stands and how many prints will be needed to print the entire edition.

A plus to the new printing technique, Giclee printing, is that if Pat has a desire to see her image on a larger scale, any image could be sized to print larger and the larger prints would be counted as the next number to be printed.  Perhaps a collector finds an image they love but needs that image larger to hang in an intended space. While the price will reflect the costs of a larger print, the process of printing a different size of an image is now possible. We have made progress with the digital age in the reproduction of art allowing a greater audience to enjoy unique works of art and feel confident that their investment will grow over time.

 

#LimitedEditionArt #PBuckleyMossArt #ArtCollector

Art Images:

1. Mountains in Spring. Image Size: 29-1/8 x 25 ins. http://bit.ly/2pUndYv

2. Our Song. Image Size: 37 x 12-1/2 ins. Paper Size: 39 x 14-1/2 ins. http://bit.ly/2prKRZP

Laura DeRamus, Passionate Art Dealer, Framer, Small Business Advocate is the owner of Canada Goose Gallery which holds the distinction of having the largest Inventory of P Buckley Moss Art including early, hard to find prints and rare issue price art. Her expertise and passion for the art of American Artist, P. Buckley Moss is contagious, and her strong belief that education in the arts is essential in our increasingly digital world is her personal mission. Contact her at Laura@CanadaGooseGallery.com with questions on Art.